Beyond the Aesthetic and the Anti-Aesthetic
نویسندگان
چکیده
منابع مشابه
Components of aesthetic experience: aesthetic fascination, aesthetic appraisal, and aesthetic emotion
In this paper aesthetic experience is defined as an experience qualitatively different from everyday experience and similar to other exceptional states of mind. Three crucial characteristics of aesthetic experience are discussed: fascination with an aesthetic object (high arousal and attention), appraisal of the symbolic reality of an object (high cognitive engagement), and a strong feeling of ...
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In this article, by examining the artistic beauty and explaining the elements of artistic beauty from the point of view of Allameh Tabatabai, one can provide a correct explanation of the order of existence of artistic value. Using the rational-analytic method, we examine the theory of aesthetics from the perspective of Allameh in order to clarify Allameh’s objectivism in the philosophy of art....
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رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...
Aesthetic Pleasure versus Aesthetic Interest: The Two Routes to Aesthetic Liking
Although existing research has established that aesthetic pleasure and aesthetic interest are two distinct positive aesthetic responses, empirical research on aesthetic preferences usually considers only aesthetic liking to capture participants' aesthetic response. This causes some fundamental contradictions in the literature; some studies find a positive relationship between easy-to-process st...
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There are hypotheses in the history of human culture and civilization in which we can find undeniable similarities and commonalities among them, despite their vastly different cultural and historical contexts. For example, finding commonalities between the language of two artistic aesthetic hypotheses, Sufism and Surrealism, which are very different from each other in terms of context, time as ...
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ژورنال
عنوان ژورنال: Critique d’art
سال: 2014
ISSN: 1246-8258,2265-9404
DOI: 10.4000/critiquedart.13738